Wednesday, 22 February 2017

Lecture 11 - Modernity and modernism

John Ruskin - 1819 - 1900

  • 'To be modern is to be new'
  • 'Modern Painters' - book
  • The works of modernism aren't as good as the traditional
  • Favoured the Pre-Rafaelites such as William Holman Hunt
Paris 1900 was the epicentre of modernity at the time.
  • life becomes regulated and industrialisation pushes people to clock in/out progressively.
  • Some say the 1950s/60s was the end of the modernism period. Today we are in post-modernism or as some call late-modernity.
Upper/middle class start to express creatively. Paris begins to adapt to new architectural ideas. (In with the new and out with the old).

Haussmanisation
  • large boulevards in favour of narrow streets. this made streets easier for the police. (social control)
  • Manet - The Balcony(1868) art begins to reflect the views on modernity in society.
  • Caillebott - Balcony
  • The Flaneurs - people who embrace modernism by showing off their lavish lifestyles and clothes. They also showed off extravigant pets.
  • Seurat - Isle de la Grande Jatte (1886) - expressionless people shown in modernism and its effects. 
  • Bather in the Asniers (1884) - social distinctions created by the modern world.
Degas 'Absinthe Drinker' - (1876) - Represents the mood of the time. Compositional technique, reflective of photography and modernism.

Manet - Bar at the Folies Bergere (1881) 

Kaiserpanorama (1883)

Max Nordau Degeneration (1892) - anti-modernist showed his worry for the modern world.

Etienne - Jules Marey - Photographic gun

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