Society: Is the media the cause of society’s desirable
image? (Part 3)
After researching and understanding
consumerism and its effects on today’s society, it was possible to gather
information about ways in which it also has an effect on the way people view
body image. As author Helga Dittmar wrote, ‘Having the “right” things has become vital,
not so much because of the material goods themselves but because of hoped for
psychological benefits: popularity, identity, happiness.’ In the same way, we know that the media is a primary tool for
reinforcing the ideas about desirable body image. This means that through
advertising and strategic marketing techniques, companies are able to gather
more consumers to a product when these “desirable image” are conveyed.
As a result of the investigation into body
image and how it is used by the media, it became apparent that looking for a
solution to tackle the problem was necessary. One way that body image is
exploited is through the use of women’s gossip magazines, such as Heat and OK.
After looking at many different examples of these magazines, it became clear
that body image was a subject that is reinforced throughout. However, these
magazines tend to have a subjective opinion on how women should look, compared
to how everyday women viewed body image. Therefore, the idea was to create an
alternative version of this form of communication, through the use of a
magazine cover, a website page or an advertisement poster.
It became apparent during the research
stage that some forms of advertising in today’s society can still aim to target
a specific audience, even if that means there may be repercussions. As it is
seen by author David Gauntlett, (Media, gender and identity, page
83) ‘some advertising is unapologetically sexist, and is
presumably used because it is felt that the message 'works' for the target
audience, even if it might surprise and offend some others.’ In the same way,
magazines such as Heat aim to target women of different ages by using imagery
and subjective opinions on their front covers. This way they are openly inviting
their consumers to purchase their products even if that means others will be
offended by the content that is included within.
To begin creating an alternative solution
to the issue of body shaming in the media, it meant first looking at ways in
which the companies were attracting consumers and what marketing techniques
would work best for selling their product. By doing this it would provide a
better understanding of how an alternative solution may target the same
audience. For example, through the use of certain imagery, text, layout and
colour schemes it would be possible to create a mock-up of the magazine in a
similar manner. The difference being that the alternative would show healthier and
more realistic representations of body image.
As the creation of the alternative version
of Heat magazine meant analyzing the design of this magazine style, it also
meant considering the type of materials that the design should be printed on as
well as the sizing and whether the imagery would be similar or take a different
approach all together. The first idea suggested by peers was to create a
magazine style that reflected a more classy approach, so that it could be taken
seriously in the subjects it would be displaying. This idea was then explored
further by looking into the ways that men are portrayed in men’s magazines. By
doing so, it would mean the approach in a different way could be understood.
Another issue that had been repeatedly mentioned
was the ways in which men could also be perceived in this way by the same type
of media. Although men are not as openly shamed in the same way as women the
issue still exists in other areas of the media. One example of this was
mentioned by author David Gauntlett who says: ‘One could say, though, that the
relative levels of skinniness are irrelevant: almost all of the ‘beautiful
women’ in both women’s and men’s magazines are thin, not fat, and this must
have an impact. Men are ideally required to be thin and well-toned too, but can
get away with imperfections as long as they can compensate with charm or
humour.’ (Media, gender and identity, 2002 page 88). Therefore, by creating a magazine that also targets issue of body
image among males, the designs would be approached by a wider audience.
One reason that magazines such as Heat and
other gossip magazines promote their material in the way they do could be due
to the fact that they can create a false representation of how women should
look. This is so that they can also sell beauty products in the form of
advertising throughout their content, which in a sense is seen as an end
result. This theory had first been addressed by author Germaine Greer in her
1999 book The Whole Woman, who says ‘Every woman knows that, regardless of her other achievements she is a
failure is she is not beautiful...The UK beauty industry takes £8.9 billion out
of women's pockets. Magazines financed by the beauty industry teach little
girls that they need make-up and train them to use it, so establishing their
lifelong reliance on beauty products.’ This theory had also been speculated on
by David Gauntlett who says, ‘But the make-up adverts referred to above, remind
us of a concern uniquely applicable to advertising - that it is produced by
capitalists who want to cultivate insecurities which they can then sell
'solutions' to.’ (Media, Gender and Identity, 2002).
By
creating a magazine cover that instead shows people that reliance on beauty
products is not necessary, it is possible the design may be able to change the
opinions of the target audience. Furthermore, the design can also begin to look
for ways to attract new audiences, like men for example. By doing this, the
cover design will not only break the negative views of mainstream media, but it
will instead convey a more positive message.
Bibliography
|
Author
|
David
Gauntlett
|
|
Year published:
|
2002
|
|
Book title:
|
Media,
gender, and identity
|
|
City:
|
London
|
|
Publisher:
|
Routledge
|
|
Author
|
Germaine
Greer
|
|
Year published:
|
1999
|
|
Book title:
|
The
whole woman
|
|
City:
|
New
York
|
|
Publisher:
|
Anchor
Books
|
|
Author
|
Helga
Dittmar
|
|
Year
published:
|
2011
|
|
Book
title:
|
Consumer
culture, identity and well-being
|
|
City:
|
Hove
[etc.]
|
|
Publisher:
|
Psychology
press
|












